THE GEOMETRIC PROPERTIES OF TWO FIGURES ILLUSTRATING THE PROPORTIONS OF THE BODY OF MAN BY HEINRICH CORNELIUS AGRIPPA
Symbols were used by primitive man as the earliest form of writing. With many symbolic illustrations great care has been taken to embellish, decorate, and adorn the symbol; sometimes to clarify the symbolic meaning, and in others to disguise or obfuscate the symbolic content. This paper explores two classic examples of symbolic illustrations which appear in Book Two, Chapter xxvii of Three Books of Occult Philosophy[i],[ii] by the noted 16th Century Alchemist, Henry Cornelius Agrippa, entitled “Of the Proportion, Measure, and Harmony of Man’s Body”. These symbols are very complex geometric figures accompanied by obscure references to philosophical concepts. The exploration undertaken in this paper will specifically focus upon the geometric properties of the figures.
Agrippa’s
Figures
The
unique proportional relationships displayed by the human body appear to have
been known in times of antiquity. Vitruvius (circa 30 B.C.) in Book III of his
treatise De Architectura[iii]
detailed these proportions in writing as follows:
“The
navel is naturally placed in the centre of the human body, and, if in a man
lying with his face upward, and his hands and feet extended, from his navel as
the centre, a circle be described, it will touch his fingers and toes. It is not
alone by a circle, that the human body is thus circumscribed, as may be seen by
placing it within a square. For measuring from the feet to the crown of the
head, and then across the arms fully extended, we find the latter measure equal
to the former; so that lines at right angles to each other, enclosing the
figure, will form a square”.
This
description (circa 1487) was used by Leonardo DaVinci to create the famous
drawing entitled Vitruvian Man (Figure 1)[iv].
Figures similar to Leonardo’s have been created over a very broad span of time
(some earlier, some later) by Philosophers and Artists such as Hildegard von
Bingen (1098-1179), Fra Giovanni Giocondo (1435-1515), Bartolommeo Caporali
(1442-1509), Cessare Cesariano (1483-1543), Francesco di Georgio (1482-1489),
Robert Fludd (1617), and Eliphas Levi (1810-1875).

Agrippa
was likely aware of many of these drawings when in 1651 he published his Three
Books of Occult Philosophy. The six figures published by Agrippa in Book
Two, Chapter xxvii are, at first glance, quite similar to Vitruvian Man
(Figure 2 is a collage of these figures[v]).
In these figures, Agrippa symbolically suggests, by enclosing man in a circle
(itself the symbol of perfection and infinity) his (man’s) relationship to the
divine or cosmic realm. Another of these figures illustrates the human form with
outstretched arms (similar to Vitruvian Man) enclosed in a square, illustrating
the "four square measure," where man "will make a quadrature
equilateral"[vi].

I
have selected two of these six figures for analysis, and they are reproduced
below as Figure 3 and Figure 4. Please
note that while the remainder of Agrippa’s figures in Chapter xxvii are also
immensely interesting, these two share a common symbolic theme and have
identical geometric properties. Limitations of space do not permit the other
figures to be fully discussed or further developed, although they will be
briefly considered in relation to the two figures of interest.
Geometric
Properties
The
geometric concepts represented by both Figure 3 and Figure 4 are essentially
identical. In fact the analysis of these figures is best handled by treating
them as a single composite figure, combining certain elements of each. Two
unique characteristics of the figures are especially worth noting; First of all,
the body position of the human form in Figure 3 is such that the arms and legs
are aligned with the diagonal of the Square in which it appears. The body
position of the form in Figure 4 on the other hand is aligned with the height
dimension of the square. It is an important point to recognize that if the human
form in Figure 3 is rotated about its center point (the navel) the hands and
feet will trace a circle which neatly circumscribes the square. Also, in regard
to the symbols of the zodiac as they appear in Figure 3, the reader will note
that the zodiac typically is displayed in a circular format, corresponding to
the celestial sphere. The fact that the symbols of the zodiac appear in the
border as they do in this figure, fairly begs the viewer to visualize a circle
inscribed within the outer square. Please also note that the symbols of the
zodiac are also critical to an understanding of the figure’s philosophical
interpretation.
In
Figure 4, the hands and feet of the human form, when rotated in a similar
fashion, will trace a circle which is exactly inscribed within the square.
Figure 4 requires that for geometric analysis we temporarily ignore the
numerical values which appear in each of the triangular sections of the drawing.
Note that absent the human form, Figure 4 resembles Figure 3 except that two
additional lines have been added perpendicular to one another and intersecting
at the center.
Figure
5 is a composite of Figure 3 and Figure 4, absent the human form, zodiac, and
numbers and with the geometric shapes labeled to facilitate discussion. Figure 5
does however add two concentric circles to the composite. One of the two squares
(ABDC) therefore appears circumscribed about the larger circle, and the other (EFGH)
appears inscribed within the smaller circle. These squares are arranged such
that the diagonals of square EFGH (Line FH and Line EG) are both the diameters
of the circle, as well as the height and width, respectively, of square ABDC.
The multiple intersections of the diagonals of the squares and of the
diagonals with the sides of the squares produce no fewer than sixteen (16)
identical isosceles right triangles.

It
is not especially difficult to determine the underlying geometric significance
of these figures. The reader will readily be able to discern that the area of
Square ABDC is twice that of Square EFGH based strictly upon the fact that the
radius of the two circles are in a 2:1 ratio with respect to one another. This
of course places the height of the two squares in a similar ratio, and also the
area of the squares. The
consequence of this figure is then that when a square is circumscribed about a
circle, its area will be twice that of a square inscribed in the same circle.
The two concentric circles in Figure 6 share a similar relationship; namely, the
area of the circle circumscribed about Square ABDC has twice the area of the
circle inscribed in Square ABDC. This concept is summarized in Archimedes Book
of Lemmas[vii],
Proposition 7 in which it is stated:
“If
circles are circumscribed about and inscribed in a square, the circumscribed
circle is double of the inscribed square”
Proposition
7 is known to be the basis by which Archimedes approximated the value of Pi
(3.14159…) using his famous method of exhaustion[viii].
This concept is also reflected by Euclid in Book XII of Elements, Proposition 1[ix].
These figures were crucial in the later discovery of (Figure 6) the
mathematical properties of the lune of Hippocrates[x]
(A lune is a plane figure bounded by two circular arcs of unequal radii, i.e., a
crescent[xi])
by Euler in 1771[xii].
Agrippa’s figures illustrated here as well as the lune occupied a prominent
position in the age old quest to “Square the Circle”. This was, of course
prior to the discovery that the value of Pi was an indeterminate number.

Note
that in Figure 6, the Square ABDC is four times larger than is Square AFOE. The
difference in the relative areas of the two squares and also of the two circles
forming the lune are therefore, proportionate.
In
her book The Music of Pythagoras[xiii],
author Kitty Ferguson describes a scene from Plato’s Meno in which
Socrates and Meno are discussing the figure of a four foot square which Socrates
has drawn in the sand. It is related that during the discussion Socrates uses
this square as a basis for the construction of a figure identical to that shown
in Figure 5, less the circles. In the course of developing this figure, Socrates
leads one of Meno’s servants in a dialog in which the servant deduces that the
area of the larger square is twice that of the smaller square. The entire
purpose of this scene in Meno is to illustrate that man is capable of
developing knowledge by deduction, and does not rely simply upon a priori knowledge,
or knowledge which is already fully developed and present at birth. No doubt,
the figures later published by Agrippa included the symbolism of the ability of
man to discern and to employ deductive reasoning.
However it is the Geometric not the Philosophical principles which are of
interest in paper; it is notable in this respect that the two figures of
interest illustrate proportional characteristics of the human form which are not
directly related to the Golden Mean (Phi or the Divine Ratio). This is not the
case with Leonardo’s Vitruvian Man nor is it the case with the remaining
figures given by Agrippa (as shown in Figure 2).
This
is not to say that the value of Phi cannot be developed using these two figures,
which it clearly can (Figure 7). However the value of Phi does not coincide with
distinct body features in these figures. The fact that these figures are
included with a series of other sketches which clearly describe the Phi
proportions of the human body would lead us to believe that Agrippa considered
the geometric relationships between inscribed and circumscribed squares and
circles to be sufficiently non-coincidental as to be considered evidence of the
divine origin of Man.
This
is of special interest to Freemasonry, since the two figures being discussed
reveal absolute geometric proportions in the human form, and do not depend upon
mathematical (i.e. non-geometric) principles to make this point.7

In Figure 7, consider the rectangle EFJK. If we assume that the long sides of this rectangle have a dimensional value of two (2) units, and that the short sides a dimensional value of one (1) unit, then the diagonal of this rectangle (line FK) has a value equal to the square root of five. The value of Phi is very closely associated with the square root of five, being equal to the square root of five divided by two, plus one-half (1.114213 + .5 = 1.614213). By constructing the opposing diagonal JE, we are able to produce Point L which lies at the bisection of the two diagonals. Therefore in order to demonstrate the value of Phi in our figure, we have only to add the value of one-half unit to Line Segment LK. We accomplish this by extending line LK to Point M, which is the point at which it intersects with Circle K, which has a radius of ½. The entire line segment LKM then, has a length equal to the square root of two plus one-half, which is the value of Phi. Note that this process also results in the construction of Circle K, which is a circle inscribed within Square EOHC. The ratio of the area of Square EFGH to that of Square EOHC is 4:1; and consequently the ratio of the area of inner Circle O to that of Circle K is also 4:1. Further note that Phi may also be developed using Figure 6 as the basis, in which case the smaller circle is circumscribed about Square AFOE, and the ratio of Square AFOE and the smaller circle in Figure 6 to Square ABDC and the outer Circle O, which is circumscribed about Square ABDC is 4:1.
Heraclitus (540-480) is credited with saying “Man is the measure of all things”[xiv]. This Figure is, as are the two figures in Agrippa’s Occult Philosophy, the geometric representation of Man as a Divine creation, centered in the universe, with God-given faculties of reason, and physically formed in Divine proportion.
SOURCES
[i]
Agrippa, Heinrich Cornelius. (1995).
Three Books of Occult
Philosophy. In Donald Tyson
(Ed.). The Foundation Book of Western Occultism. Llewellyn.
ASIN: B000KT6YLK.
[ii]
Agrippa of Nettesheim, Heinrich Cornelius. (1651).
Three Books of Occult Philosophy.
Book 2. London. In Joseph H. Peterson (Ed.). [Digital Edition] . Retrieved
June 18, 2008, from http://www.esotericarchives.com/agrippa/agrippa2.htm.
[iii]
Vitruvius, Pollio. De Architectura
(The Ten Books on Architecture). In Project Gutenberg (2006). Retrieved
June 18, 2008, from http://www.gutenberg.org/etext/20239.
[iv]
Image Source: The Ohio State University Fine Arts Library. Retrieved
June 18, 2008, from http://library.osu.edu/blogs/finearts/2008/02/14/be-mine-frank-ohara/.
[v]
Hatzigeorgiou, Karen J. (2008). Public Domain Images
Reproduced by Agreement of Terms of Publication. Retrieved
June 18, 2008, from http://karenswhimsy.com/sacred-geometry.shtm.
[vi]
Agrippa von Nettesheim, Cornelius. (1651) De Occulta Philosophia Libri Tres.
Edited by V. Perrone Compagne. in Studies in the History of Christian
Thought, 48. Leiden: Brill. (1992).
[vii]
Archimedes. in Bogomolny, Alexander, Archimedes' Book of Lemmas from
Interactive Mathematics Miscellany and Puzzles. Retrieved June 23, 2008
from
http://www.cut-the-knot.org/Curriculum/Geometry/BookOfLemmas/index.shtml.
[viii]
Carothers Neal. Archimedes’ Method of Exhaustion. Department of Methematics
and Statistics. Bowling Green State University. Retrieved June 22, 2008 from
http://personal.bgsu.edu/~carother/pi/Pi3a.html.
[ix]
Euclid’s Elements, Book XII. In Joyce, D.E. (1997) Euclid’s Elements.
Clark University. Retrieved June 22, 2008 from http://aleph0.cl arku.edu/~djoyce/java/elements/bookXII/propXII2.html.
[x]
Sandifer, Charles Edward. (2007). The Early Mathematics of Leonhard Euler.
The Mathematical Association of America - Tercentenary Euler Celebration. Vol.
1.Washington, D.C. ISBN:0883855593
[xi]
Weinstein, Eric. (2008). Lune. Wolframs Math World. Wolfram Research.
Retrieved June 22, 2008. from http://mathworld.wolfram.com/Lune.html
[xii]
Euler, M.J.A. Réflexions Sur la Variation de la
Lune. Publication l'Académie 1766, 18 pp.
[xiii]
Ferguson, Kitty. The Music of Pythagoras. (2008). New York. Walker
& Company. Macmillan (Dist.) ISBN-10:
0-8027-163-8; ISBN-13: 978-0-8027-1631-6. pp. 140-145.
The Temple Of Solomon
Historical Background
Since the earliest times, man has built temples or shrines where he could worship his own god in his “house”. The Tower of Babel is the first such structure mentioned in the Bible, Babel being the name of one of the chief cities founded by Nimrod in the land of Sumer, or ancient Babylon. Nimrod was a prodigious builder and was King of Babylon at the time of the Tower of Babel. Although as yet there is no archaeological evidence to confirm the existence of a city and tower of Babylon before about 1800 BCE, a text of Sharkalisharri, who was King of Agade in about 2250 BCE, mentions his restoration of the temple-tower or ziggurat at Babylon, which implies the existence of an earlier sacred city on the site. It is now believed that when Ur-Nammur, the King of Ur, built a ziggurat in about 2100 BCE, it replaced the first Tower of Babel that probably was constructed prior to 4000 BCE. The ziggurat was a series of superimposed platforms ranging from about 10 to 20 metres in height, which progressively diminished in area and were accessed by ramps or stairways. The structure was surmounted by a temple, to which it was believed that God would descend and communicate with mankind. The traditional history of the Masons' Guilds stated that their trade secrets were first given to the trade by Nimrod. The ritual of the operative Free Masons still includes the old “Charges of Nimrod”, in which the first charge requires that all Free Masons shall be true to their God, their King, their Lord and their Masters. < namespace="" prefix="o" ns="urn:schemas-microsoft-com:office:office" xml="true">
Abram, who was born in Ur of the Chaldees in about 2160 BCE, received a Divine call when he was 70 years old and told to search for a land where he could build an Israelitish nation free from idolatry. To fulfil his mission, Abram began his journed by moving to Harran on the Balikh River, a tributary of the Euphrates 1,000 kilometres northwest of Ur, where he stayed until his father died about five years later. Thence he travelled southwards in stages to the vale of Moreh, between Mount Ebal and Mount Gerizim in Canaan, where Yahweh promised Abram that he would possess the whole of the land southwest from the Euphrates River. Abram “built an altar to the Lord, who appeared unto him” to express his thanks for the Lord’s promise. As the Canaanites were jealous of Abram, he soon moved south to the mountainous district between Beth-el and Ai, where he also built an altar to Jehovah. Abram continued to move southwards until driven by famine from the Negeb into Egypt, but he later returned to the mountainous district as a wealthy man and again established the worship of Jehovah. God reiterated his promise to Abram, who then moved to Mamre near Hebron, where he built another altar.
In about 2080 BC, after Abram had rescued his nephew Lot by defeating a confederation of four Babylonian kings under the leadership of Chedorlaomer the despotic King of Elam, Melchizedeck the King of Salem, referred to in the Bible as the “priest of the most high God”, blessed Abram in the name of God. Melchizedeck is said to have prefigured Christ by offering bread and wine as memorials of sacrifice. Because Abram saw in this sacrament a messianic revelation of the “most high God” El Elyon, Abram paid tithes to Melchizedek in token of this recognition. God then renewed his promise to Abram, but said that his people would spend 400 years in a foreign land before they should inherit Canaan. God also revealed himself to Abram as the “all powerful God” El Shaddai, who could consummate his promise of a coming Redeemer. At this juncture Abram, which signifies “eminent father”, changed his name to Abraham signifying “father of a multitude”, as a token in recognition of what El Shaddai would do in his redemptive power. This renewal of the covenant was sealed by the introduction of the ceremony of circumcision, as a spiritual symbol of the purification of life at its very source and also signifying the messianic hope for a Redeemer and Covenant-Fulfiller. Abraham was 175 years old when he died, 115 years before Jacob and his family migrated to Egypt. As Jacob passed out of Canaan in about 1870 BCE, God gave him an assurance that his descendants would return to the Promised Land.
The Tabernacle of Israel
As the patriarchs Abraham, Isaac and Jacob were semi-nomadic, they could not build a permanent shrine for worship, as was the custom in the cities of Mesopotamia when Abraham left Ur. After a sojourn of 430 years in Egypt, the Israelitish nation came into being with the institution of the Feast of the Passover and the beginning of the Exodus under the leadership of Moses in about 1440 BCE, guided by the Pillar of Cloud by day and the Pillar of Fire by night. During the second year of the Exodus, Moses made the most zealous intercessions on behalf of his people, spending two periods of forty days and nights on Mount Sinai. Moses was rewarded when the glory of the Lord was revealed to him, the tables of the law were renewed and a new covenant was made with Israel. In recognition of the new covenant and in accordance with directions Jehovah gave to Moses, a Tabernacle or “tent of congregation” was erected as a portable sanctuary. The Tabernacle was 30 cubits long and 10 cubits wide oriented from east to west. It was placed within and near the western end of a court 100 cubits long and 50 cubits wide, enclosed by a fence of shittim or acacia wood pillars 5 cubits high and braced by stay ropes. The structure supported “fine twined linen” sheets hung from rods. A “brazen altar”, or “altar of burnt offering” was placed just inside the court, near the entrance gate at the eastern end. A bronze “laver”, in which the officiating priests washed, was placed midway between the brazen altar and the entrance to the Tabernacle at its eastern end. The Tabernacle was composed of two parts, the “mishkan” or tabernacle proper and the “ohel”, or tent.
In its strictest sense “tabernacle” refers to the ten linen curtains that were hung inside the tabernacle proper, along the narrower western wall and the longer northern and southern walls. These walls consisted of planks of shittim or acacia wood plated on both sides with sheets of gold. The curtains had figures of cherubim woven into the blue, purple and scarlet tapestry work. The interior of the mishkan was divided into two compartments by a veil of similar material, colour and design as the curtains. The larger of these compartments, 20 cubits long and 10 cubits wide, was at the eastern end and called the “hekhal”, which is the “Holy Place”. The western compartment was a perfect cube of 10 cubits called the “debir”, which is the “Holy of Holies” where the Ark of the Covenant rested under the protective wings of two huge cherubim. The whole was covered by the “ohel”, a fly roof of foxy black or brownish canvas made of goats'-hair called camelot, which is still used by nomadic Arabs. The Tabernacle was used as the provisional meeting place between God and the “chosen people” until long after their entry into Canaan. Under the Judges it was at Shiloh and in Saul's reign it was at Nob and later at Gibeon. Although David erected another Tabernacle at Jerusalem for the reception of the Ark of the Covenant, the original Tabernacle of Israel remained at Gibeon until the days of King Solomon, together with the brazen altar used for sacrificial offerings.
The Hebrews naturally attached a great deal of symbolism to various aspects of the Tabernacle and also to the related ceremonials. The “tent of congregation” typified God dwelling with his people and the Ark of the Covenant was a constant reminder of God's presence and forgiving love. The twelve cakes of shewbread, placed on a table midway along the north wall in the Holy Place, signified the dedication of the Twelve Tribes of Israel to divine service. The menorah, a seven branched candlestick of pure gold that was 3 cubits or more high, was placed midway along the south wall to represent Israel as a people called to be the “children of light”. The incense ascending from the golden altar of incense that was placed in the middle of the space on the eastern side of the inner veil, near to and in front of it, symbolised the act of prayer. The early Christian evangelists interpreted the two compartments of the Tabernacle as being characteristic of the earthly and heavenly aspects of Christ's ministry, saying that by the symbolism of the rent veil Christ had opened up for everyone a way into the Holy of Holies. The layout and furnishings of the Tabernacle and its surrounding court were replicated in lavish detail and supplemented in the temple constructed by King Solomon at Jerusalem.
Other Prototypes for the Temple at Jerusalem
Because of the important role Egypt played in the history of the Hebrew people, as well as the strong intellectual and cultural influence of the pharaonic civilisation throughout the Mediterranean region and the close links then existing between the two peoples, it was believed until recently that Egypt had provided the model for King Solomon's temple in Jerusalem, even though it did not resemble any temple in Egypt. Archaeological excavations in northern Syria in the 1930s were the first to throw doubt on the belief of its Egyptian heritage. Excavations at Hazor in northern Palestine, during the 1950s, reinforced these doubts. However it was the salvage excavations carried out from 1970 to 1976 in a bend of the Euphrates River, on the site of what is now Lake el-Assad, which confirmed beyond doubt that King Solomon’s temple was built to a Phoenician pattern conforming to the traditions of a religious system that had been followed for 2,000 years or more. At least 3,200 years ago, about the time when Moses was on Mount Sinai, the Phoenicians became the greatest developers and builders around the Mediterranean. Their pre-eminence in building continued until the conquest of the region by Alexander the Great in 333 BC. The Phoenicians were more advanced culturally than the Hebrews and they played a significant role in the design and construction of King Solomon's temple, their long experience in temple building undoubtedly having a significant influence.
The religious traditions that developed in the countries in the “fertile crescent” of the Near East and in the Levant were bringing about significant changes in human attitudes to the divinity as long ago as 5,000 years. These attitudes were reflected in the designs of temples that became the pattern for those constructed by the Phoenicians. The temples were elongated about 3:1 in plan, had a single entrance at the narrower eastern end and were subdivided into compartments that provided a progressive transition from the profane outside world to the inner and most holy sanctuary. The deep significance of this progression of priests and worshippers, commencing from the profane outside world and leading to the sacred precincts, is reflected in the names of the compartments in the Tabernacle and later in King Solomon's temple. This arrangement was typified in the temple of King Solomon at Jerusaslem, which had a porch or anteroom, the ulam, at the eastern end flanked by two great pillars called Jachin and Boaz. The porch opened into the main hall of worship, the Holy Place or hekal, which had a table of offering and other furnishings and was the place for divine service and the performance of ritual. At the western end was the Holy of Holies or debir, called the place “where God dwelt” and where the “Ark of the Covenant” was kept, which was accessible only to the priesthood on specific occasions.
The many temples that have been excavated are not identical in design, but they are sufficiently alike to prove beyond doubt that they had a common religious theme. The oldest known temples or sanctuaries of this type were three found at Tell Shouera on the eastern branch of the headwaters of the Euphrates River in the foothills of northern Syria. In comparison with King Solomon’s temple, they range from about the size of its Holy of Holies to a little larger than its overall size including the storage chambers surrounding it on the northern, western and southern sides. They are about 4,500 years old and were built sequentially over several generations. A Canaanite temple of the same general description and about 4,000 years old was discovered during the 1950s while excavating the ancient lower city of Hazor in northern Palestine. Hazor was only occupied for about 500 years, when it was destroyed and burnt, but never reoccupied. Another temple excavated at Ebla, 300 kilometres to the southwest of Tell Chouera and built about 3,800 years ago, is almost identical in size to King Solomon’s temple, although the Holy of Holies is significantly shorter. In King Solomon’s temple the Holy of Holies was on a podium, but at Ebla it was augmented by a substantial niche in the western wall, which allowed a small room to be placed between its porch and the main hall of worship which is about the same size as it was in King Solomon’s temple.
The greatest volume of evidence comes from the salvage excavations on the site of Lake el-Assad during the 1970s, where seven temples were unearthed all built several hundred years before the first temple at Jerusalem. Of these temples, four at Emar range from about half to two-thirds the size of King Solomon’s temple and are from 3,400 to 3,200 years old, corresponding with the brief period during which a Hittite city existed there. The two larger temples at Emar were built parallel and close together to form a double sanctuary. A road between them gave access to a common terrace for sacrificial offering that was located behind them, instead of in front as at Jerusalem. A similar temple excavated at Moumbaqat, midway between Emar and Ebla and intermediate in age, is even larger than the largest at Tell Chouera. The first Syrian temple discovered, which is that at Tell Ta'Yinat, is almost identical in size to King Solomon’s temple and probably was constructed a little later. Some of the Syrian excavations also show evidence of stub walls near the western ends of the temples, which are thought to have been the locations of internal timber walls, similar to the one that screened the Holy of Holies in King Solomon’s temple. The foregoing archaeological evidence clearly shows that King Solomon’s temple and also its precursor, the Tabernacle of Israel, were both of the form originally established by the Canaanites and subsequently developed by the Phoenicians.
King Solomon's Temple
When Saul died in about 1010 BCE, David became the King of Judah and seven or eight years later he was anointed King over all Israel. After David had consolidated his power and built a permanent residence for himself, the lack of a shrine of Yahweh seemed invidious to him. He said: “I dwell in a house of cedar, but the Ark of God dwelleth within curtains”. Because his hands were stained with the blood of his enemies, David was precluded from building a temple to the Lord, but he collected materials, gathered treasure and purchased a site for the construction. The site chosen was the threshing-floor of Araunah the Jebusite, within the area now called Haram esh-Sherif on Mount Moriah on the east side of the “Old City” of Jerusalem. Whilst the precise location of the first temple is not known it is believed that the highest part of the rock, now covered by the mosque known as the “Dome of the Rock”, almost certainly was the position of the Holy of Holies. Jewish tradition relates that a secret vault was constructed beneath the temple, in which confidential meetings could be held and all sacred treasures and documents could be stored. Such a vault also features in masonic tradition and is a key element in several of its ceremonies. The construction of such a vault under ecclesiastical and other buildings of importance was common in ancient times and virtually became an essential element in medieval times. Recent seismological surveys indicate that there probably is a cavern beneath the mosque, but excavations to confirm the existence of the traditional vault are precluded at present.
King Solomon commenced construction of the temple in the fourth year of his reign and completed it seven years later, in about 950 BCE. To facilitate the work he entered into a treaty with Hiram, King of Tyre, whereby Hiram would permit Solomon to obtain cedar and cypress wood and blocks of stone from Lebanon. Furthermore, Solomon's workmen would be permitted to fell the timber and to quarry and hew the stones under the direction of Hiram's skilled workmen. In addition, Solomon was provided with the services of a skilful Tyrian artisan named Huram, to take charge of the castings and of the fabrication of the more valuable furniture and furnishings of the temple. In return for all of the services to be provided by Hiram, Solomon agreed to send to him every year 4,400,000 litres of crushed wheat and 4,400,000 litres of barley, as well as 440,000 litres of wine and 440,000 litres of oil. Solomon raised a levy of forced labour out of all Israel, totalling 30,000 men, which he sent to Lebanon in relays of 10,000 a month. Adoniram, who had been an officer of King David in charge of labour gangs, continued under King Solomon and was placed in charge of the levy working in Lebanon. King Solomon also employed 70,000 burden bearers and 80,000 hewers of stone in the hill country, as well as 3,300 officers in charge of the men carrying out the work. Some thirty years after the completion of the temple, when Rehoboam sent Adoniram to enforce the collection of taxes, the exasperated populace rebelled and stoned Adoniram to death.
King Solomon’s temple was a prefabricated building oriented due east to west. It was constructed of accurately shaped blocks of limestone that were quarried and dressed in or near Jerusalem and assembled without mortar. The temple had a single entrance at the eastern end, accessed through an uncovered porch. The porch or ulam was 10 cubits in length along the axis of the temple and 20 cubits wide. Looking towards the east from inside, the porch was fronted by two great pillars or columns. The pillar on the right or south side was called “Jachin” and the pillar on the left or north side was called “Boaz”. All of the timber used in the temple came from the forests of Lebanon. The temple had olive wood doors and was lined with cedar wood, ornately carved and inlaid with gold. The compartments of the Tabernacle were replicated in King Solomon's temple, but they were twice as large. The porch gave entrance into the Holy Place or hekhal, which was 40 cubits long, 20 cubits wide and 30 cubits high, lit by latticed windows near the ceiling. This hall was accessible only to priests and was used for daily worship, for religious ritual and for the presentation of offerings. The Holy of Holies or debir was at western end of the building. It was a perfect cube of 20 cubits and set on a podium to maintain the same ceiling line as that in the Holy Place. There were no windows in the Holy of Holies, which received its light only through the doorway from the Holy Place when the curtains were open. The Holy of Holies was accessible only to the high priest, probably only once a year for the atonement ceremony.
The temple was surrounded on the north, west and south by store chambers three stories high. Among these, on the southern side, was the “Middle Chamber” to which access was gained by a winding stair in the southeast corner of the building. The whole structure was on a platform about 2 metres higher than the upper or inner court that surrounded it, which was reached by ascending ten steps. This inner court was raised above the surrounding great or outer court, which was reached by ascending eight steps. The outer court was raised above the surroundings and was reached by ascending seven steps Each of these courts was enclosed by walls comprising three rows of hewn stone, surmounted by a row of cedar beams. In the upper or inner court, as in the court of the Tabernacle, there was a brazen altar of burnt offering, a brazen sea and ten brazen lavers for use by the priests in their ablutions and for ceremonial purification.
Although smaller than any Egyptian temple, King Solomon’s temple was a magnificent edifice that surpassed any preceding temples. King Solomon’s temple was noted for the lavish beauty of its detail and opulence of its furnishings, rather than for its size. No stonework was visible inside, because the compartments were ceiled and panelled with cedar wood and the floors were planked with cypress. The Holy Place was accessed at the eastern end through double folding doors of cypress wood, each divided into upper and lower sections. At the western end of the Holy Place double doors of olive wood gave access to the Holy of Holies. Both sets of doors were usually left open, but they were screened with veils ornamented like those in the Tabernacle. The walls and doors were carved with palm trees, garlands, opening flowers and cherubim, all richly inlaid with gold. The ceiling and floor of the Holy Place and the whole of the interior of the Holy of Holies were overlaid with gold plate.
The furnishings of the Holy Place included an altar of incense and twelve tables for the loaves of shewbread, as well as ten “menorah” or golden seven-branched lampstands, often called lampsticks. Inside the Holy of Holies two cherubim that stood 10 cubits high, were carved from olive wood and overlaid with gold to symbolise the majestic presence of God. Research has revealed that the cherubim would have been winged sphinxes, each with the body of a lion and a human head. This hybrid was extremely common in the iconography of western Asia between 1800 BCE and 600 BCE. The cherubim stood in a brooding attitude with outstretched wings, so that the tips of their adjacent wings touched above the Ark of the Covenant in the middle of the apartment and the tips of the two outer wings touched the north and south walls. The Ark of the Covenant was made of shittim or acacia wood, overlaid with pure gold inside and outside. It contained the two tables of stone on which the Ten Commandments were engraved, defining the terms of God's covenant with Israel.
The Two Great Pillars
The two great pillars at the porch or entrance to King Solomon's temple were hollow and cast of bronze 12 cubits in circumference and four fingers thick, standing 18 cubits high. Double capitals surmounted the pillars and were 5 cubits in their combined height, probably having been cast in two separate parts. The chapiter or lower part was of lotus work and comprised four open and everted petals each 4 cubits wide. The capital or upper part was a bowl, not a sphere as is often said. The Tyrrians cast the hollow columns in moulds dug in the ground, using what is called the “lost wax” method that was developed by the Assyrians in the Bronze Age, probably in about 1200 BCE. In this method the mould is formed around a wax core that melts away during casting. With large castings like the pillars, the core is formed with sand or earth and coated with thick wax. The columns of King Solomon’s temple were common in Syria, Phoenicia and Cyprus at the time and the Tyrrians were experienced in this method of casting.
Modern research indicates that the upper bowl probably was a vessel to contain oil, which could be lit at night. It is known that similar decorated pillars were used at shrines in Palestine and Cyprus during the period 1000 BCE to 900 BCE, when King Solomon’s temple was built. The Greek historian Herodotus, writing in about 450 BCE, described two large pillars that stood near the temple of Hercules at Tyre, which “shone at night”. Like the Phoenician models, the two immense incense stands at the porch of King Solomon's temple would have illuminated the facade of the temple on Mount Moriah at night, whilst also catching the first glint of the sunrise at Jerusalem. They have been interpreted as sacred obelisks, their blazing smoking wicks recalling to worshippers the pillars of fire and cloud that led the Israelites of old through the wilderness.
The pillars were completed and named before the temple was dedicated. Although it has often been said that the names of the pillars were to enshrine the memory of David's ancestry, it is now known that this was not their purpose and interpretation. It has been shown convincingly that the names of the two great pillars inscribed on the columns stood for the initial, or key words, spoken by oracles. In seeking to endow the Davidic dynasty with power and also to express King Solomon's gratitude to the Almighty for his support, the oracles would have used invocations such as: “Yahweh will establish (jachin) thy throne forever” and “The king's strength (boaz) is in Yahweh”. Contrary to views sometimes expressed, the bowls were not representations of the then known terrestrial and celestial globes, nor did the pillars serve as archives for the constitutional rolls.
The Captivity and Ezekiel's Temple
Ancient temples usually served as state treasuries, which were filled with the booty of conquests or emptied to pay tribute to overlords, as the power of the land waxed and waned. King Solomon's temple was no exception. Shishak, the Libyan prince who founded Egypt’s XXIInd Dynasty as the Pharaoh Sheshonq I and reigned from 945-924 BCE, raided the temple when King Solomon’s son Rehoboam was in power, taking all the treasure King Solomon had accumulated. Later kings, including even Hezekiah who adorned the temple, used the treasures to purchase the favour of allies or to pay tribute and buy off invaders. Then followed idolatrous kings who desecrated the temple and allowed it to fall into decay. By the time of Josiah, three centuries after it was built, the temple was in need of considerable repair, which had to be financed by contributions from the worshippers. Finally Nebuchadnezzar sacked and looted the temple in 587 BCE, when he destred Jerusalem. The deportation of the Hebrews into Babylonish captivity began in 722 BCE, when the Assyrian King Tiglath-pileser captured Damascus, abolished the monarchy and detached the northern and eastern regions of Israel, which he made into Assyrian provinces. It continued when Tiglath-pileser imprisoned the last king of Israel, Hoshea, in 721 BCE after a three-year siege of his capital Samaria. Assyrian records say that 27,290 people were then taken captive. The captivity continued spasmodically until completed by Nebuchadnezzar a few years after he had destroyed Jerusalem. Ezekiel, who was captured in 597 BCE and deported to Babylon with Jehoiachin, became an important Hebrew prophet during the Exile.
Ezekiel's special mission was to comfort the captives in Babylon, which comprised “all the house of Israel’. His prophesies were numerous, including many concerning the surrounding nations, all of which were fulfilled. He made many prophesies of Israel's final restoration, including his messianic prophesy concerning the coming of Christ, when he said that the false shepherds would give way to the True Shepherd. He also spoke of the restoration of the land and of the people and gave his vision of the restored nation and their worship in the new kingdom. The exiles were heartened in their grief by Ezekiel's vision of a new temple, which he said would be erected during their restoration. Ezekiel's description related to a temple that was similar to King Solomon's temple, but he gave additional and specific information that helps to establish details that are missing from the Biblical description of the first temple. However Ezekiel's temple was never built, even when Zerubbabel constructed the second temple at Jerusalem after the release from captivity.
The Decree of Cyrus and the Second Temple
Cyrus came to the throne of Anshan, an Elamite region, in about 559 BCE and clashed with a Median king. Cyrus captured the walled city of Ecbatana (the modern Hamadan) when the Median army rebelled, as a result of which the Persians were then in the ascendancy. Cyrus rapidly extended his conquests, defeating Croesus the king of Lydia about 546 BCE and conquering Babylon in 539 BCE. Thus Cyrus established the vast Persian Empire, which held dominion over Judea as a province for the next two centuries. Cyrus established his capital at Pasargadae in the land of Parsa, from where he ruled until his death in 530 BCE. In 538 BCE Cyrus issued the following decree, releasing the Jews who were in exile in Babylon:
“Thus saith Cyrus King of Persia, all the kingdoms of the earth hath Jehovah, the God of heaven, given me; and he hath charged me to build him a house in Jerusalem, which is in Judah. Whosoever there is among you of all his people, his God be with him and let him go to Jerusalem . . . and build the house of Jehovah . . .”
In total about 42,360 Israelites returned progressively to Jerusalem, under the leadership of Sheshbazzar or Zerubbabel in 535 BCE, under Ezra in 458 BCE and under Nehemiah in 445 BCE.
The first small band that returned to Jerusalem soon began rebuilding the temple, under Jeshua as the high priest and Zerubbabel as the governor. Their meagre resources and the many difficulties they encountered delayed completion of the temple until 515 BCE, almost twenty years after the first group left Babylon, but long before all the exiles had returned from captivity. Indeed, the temple was only completed then because of the efforts of the prophets Haggai and Zechariah, who urged the work on in the later stages. No accurate description of the second temple exists, but the layout appears to have been similar to that of the first temple with the height increased to 60 cubits. However it was much less ornate than King Solomon’s temple, lacking the sumptuous finishes and only scantily furnished. A lack of resources probably was the reason why the second temple was not built to Ezekial's grand plan. So far as is known the second temple, like the tabernacle of Israel, had only a curtain at the entrance to the Holy Place, one menorah, one table of shewbread and a golden altar of incense. Another curtain screened the entrance to the Holy of Holies, which was empty. When Nebuchadnezzar sacked Jerusalem in 587 BCE the Ark of the Covenant was destroyed. Nevertheless the second temple, usually referred to as Zerubbabel's temple, survived for almost 500 years, which was much longer than any other temple at Jerusalem. The Roman general Pompey took the temple when he captured Jerusalem in 63 BCE, but did not harm it. However the Roman consul Crassus plundered the temple of all its gold and other valuables nine years later. The second temple was the focus point of the lavish reconstruction and expansion carried out in later years by King Herod.
Herod's temple
A discussion of the temples at Jerusalem would not be complete without mentioning King Herod's temple. Our principal source of information is Josephus, the Jewish historian and priest who flourished in about 70 AD. Herod the tetrarch of Galilee, known as Herod the Great, came from the Negeb between the Dead Sea and the Mediterranean Sea. He was of Idumaean blood and Edomite stock, descended from Esau. King Herod was an indefatigable builder, who wished to show his own grandeur by restoring the temple as a larger, more complex and much more beautiful building. He took great pains to carry out the reconstruction piecemeal, without interrupting the ritual observances, even to the extent of training 1,000 priests as masons to build the shrine. The work began in about 20 BCE and the main structure was finished in ten years, but the whole complex was not completed until 64 AD. The temple area was twice the size of Zerubbabel's temple and the total area of development more than ten hectares. King Herod’s temple was burned when Jerusalem fell to the Roman armies in 70 AD. The golden candalabrum, the golden table of shewbread and other valuables were carried off to Rome. The bas reliefs carved on the triumphal arch of Titus in Rome depict Roman soldiers carrying off the looted temple furniture.
Orientation
It is worth noting that the orientation of the temples at Jerusalem was the reverse of the present orientation of Christian churches. A worshipper in the Holy Place of the temple looked west to the Holy of Holies or east through the entrance to see the rising sun. Christian churches usually have their main entrance in the west and the altar in the east. Lodges of operative Free Masons have always adopted the orientation of the temples at Jerusalem, with the entrance in the east and the master in the west. The orientation of lodges of speculative Freemasons is the reverse, probably because the compiler and editor of the original “Constitutions of the Freemasons” published by order of the Grand Lodge of England in 1723, the Rev Dr James Anderson DD, was an influential Presbyterian clergymen who as a matter of course would have adopted the orientation then in use in Christian churches. Another possible reason is that early speculative ritualists may have been influenced by an essential doctrine of that particular school of the Cabala that says: “His Majesty . . . sits on a throne in the east, as the actual representative of God”. Whatever its origin, the reversal of the orientation in lodges of speculative Freemasons has caused confusion in the interpretation of their symbolism, because the words of the ritual were adapted from Operative usage based on the orientation of the temple. In conclusion it is worth quoting Dr Oliver, to whom we have already referred, who said in his lectures on Signs and Symbols: “The principal entrance to the lodge room ought to face the east, because the east is a place of light both physical and moral; and therefore the brethren have access to the lodge by that entrance, as a symbol of mental illumination.”
